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As it is known that latest news is meant to inform something that has happened suddenly, the crisp part of it is the essence of information. No matter what all event or mishap is happening in the world, we love to get knowledgeable and keep ourselves updated on the Indian news. Being the good and responsible citizens of India, we all have the right to be informed about matters taking place in the country. A news piece helps to generate debate that can last till the resolutions are made. After all, it is always important to increase our general knowledge and should keep ourselves abreast of latest happenings.
 
Latest news in India has a unique place in the media because every time it brings with it something that’s very fresh and not known before. In fact, the latest news India, at times, becomes a good piece of discussion among localities. It is necessary also, as the discussion may lead to solution of the issues. Indian news media has changed with the time. It has espoused latest technologies and standards to deliver what is needed by the masses. Even the bollywood news has seen changes. These days you can get insight in to the private lives and matters of bollywood stars. While living a routine a droning life, the entertainment news seems to be fresh drop of rain in the most heated summers.

Usually, a lot of people are found discussing the affairs of movie stars and the controversies they get into. Such piece of information is something that one would like to enjoy in his spare time or to escape from the world of hectic working schedules. Each and every person would be interested in knowing about the gossips and in-stories of certain movie stars to enjoy that particular moment. Well, everyone is living a fast and tedious life, in which, nothing more than work is left. Even, the social life and gathering is getting a bit reduced to such an extent that it seems to be fading away. All this has made it essential for the people to chuckle on gossipy bollywood news.

The newest Kapoor in the town, to be making their mark soon in a BIG way, are Ranbir Kapoor and Sonam Kapoor. While it is difficult to gauge there talent at this stage, but after the release of promos of their debut film SAAWARIYA, its clear that they are the most awaited star kids to be launched this year.

Their debut is one of the most talked about in recent times and all eyes will be on Ranbir Kapoor – the son of Rishi and Neetu Kapoor and Sonam Kapoor – daughter of another superstar Anil Kapoor. Expectations are running high especially because they are launched by one of the finest film maker of Bollywood, Sanjay Leela Bhansali.

With this new pair it seems Sanjay Leela Bhansali is all set to present one more hit couple to the industry.

The biggest buzz in bollywood is now that, will Ranbir and Sonam live up to the legacy of their families.

Ranbir Kapoor – The name is borrowed from his grand father Raj Kapoor. Raj Kpoor’s full name was RanbirRaj Kapoor. According to Sanjay Leela Bhansali, Ranbir carries the charisma of both his father and grand father.

“I know he is in very capable hands. But then you never know. I just pray to God that he can live up to the expectations. Fingers and everything crossed,” says Rishi Kapoor.

Ranbir has to fit in and carry on the legacy of Kapoors which began with Prithviraj Kapoor in the 1930′s. Second generation of Kapoors – Raj, Shammi and Sashi were also a suucesfull stars. Raj Kapoor is also known as the biggest showman and the finest film maker of India. Even Randhir and Rajeev of third generation were not so successful but Rishi Kapoor was defiantly the most popular romantic hero of his era.

Ranbir will represent fourth generation of the first family of Bollywood although Karishma and Kareena Kapoor are already there but he will be the first male of fourth generation.

On Ranbir the industry is looking as next super star, that’s why he is been signed by big film makers like Yash Chopra and Raj Kumar Hirani well before the release of his first film.

On the other hand most probably Sonam Kapoor will be the first heroin in film industry whose father Anil Kapoor is still playing lead hero roles in the movie.

Bhansali calls her the combination of Rekha and Wahida Rehman and industry watchers are already comparing her with the Dimple Kapadia of Bobby (1973).

Anil Kapoor is delighted at the attention she is getting. “I was pleasantly surprised by her performance when I saw the rushes of Saawariya.

Sonam also has to carry the legacy of another Kapoor Family which is also in film industry for more than 40 years. Her grand father Surinder Kapoor and her uncle Boney Kapoor are well known film makers of India. Sonam will be the first lady of the family to enter in industry.

Earlier Sonam was interested in film making and that’s why she started as assistant to Sanjay Leela Bhansali in Black but Bhansali found that innocence and purity in Sonam which was required for SAAWARIYA.

Now the debut film of both Kapoor kids is ready to release on Diwali, expectations are running very high. Not only Sanjay Leela Bhansali but families of both Ranbir and Sonam are crossing their fingers and hoping for the best.

Bollywood has faced a number of upheavals and transformations, but one remarkable change of the recent times is the experimentation with techniques and themes.

The former years had a lot of restrictions in terms of presentation, handling and theme of the movie from the director’s point of view. They could not take up challenging horror or action sequences because it demanded special effects, the result was a gapingly scant collection of horror flicks, and in the name of action the viewers had to do with adoring Dharmendra’s power-packed fists that floored the villains in one thunderous punch with the roar: “Kuttey! Mein tera khoon pee jaunga!!! (the pun was unintentional). There were some potential substitutes, too, like Dara Singh, who promised some drum-centric music enhanced (read overshadowed) action sequences, where an army of goons was hurled about in all directions by him. Then we had Amitabh Bachchan in ‘Angry Young Man’ avatar and then the action mantle fell on Sanjay Dutt, Ajay Devgan, Suniel Shetty, and Akshay Kumar. With time, action sequences became considerably better, with slow-motion punches adding to the overall action effect of the fist-power.

In the same era, Hollywood churned out a hair-raising thriller-horror ‘The Wind’ (1987). This particular movie became hugely popular due to the sheer simplicity with which the horror was built-up. It was chilling, scary, violent and gripping. It used no effects other than some high voltage fans to create the windstorm in a deserted village. And its background music was self-effacing, yet adding to the chill. A novelist (Meg Foster) retires to a crumbling villa in a village to complete her book, and is hounded by the caretaker who has a fancy of killing with a scyth – pretty dumb and clichéd storyline. No extraordinary props, no high-tech, hard-to-get gadgets that were a dream for our Bollywood procurers. We didn’t, but Nico Mastorakis created a timeless and ingenious example of making viewers start in dread. It was frightening for an adult then; it still is for his son now.

Recently, we have seen an explosion of new age technologies giving our cinema an unusually updated look. (They have even mastered ‘The Matrix’ 3-D effect after copying it in ‘n’ number of movies!). ‘Drona’, ‘Krrish’, ‘A love Story-2050’ are all effects-based flicks, using the latest technologies. Even animation has reached its adolescence and full time films like ‘Roadside Romeo’ are at par with regular feature films. Sometimes the animated characters look plastic, but new-age children are used to it so they don’t mind much. After all, they practically live in a world overflowing with polymer.

Of course, there has never been a dearth of romances in Bollywood. (The audience get a chance to let their imagination run amock fuelling bollywood gossip). They actually started with a good guy in white kurta-pyjama (not the night-dress, it was the over-loose dress of those times!) serenading his lady love, looking at the metaphoric moon, without a glance at that well made-up, simpering, dupatta-biting lass standing beside him. That was love. Then they held hands and danced, then they hid behind trees in gardens (with a close-up of two flowers!), then they let the lass’ <i>dupatta</i> slip, then it disappeared altogether. But now our directors have a wide variety of romantic options from bed-scenes to kisses landing smack on the mouths. Almost all versions of romance seem to have been exploited in the present cinematic period, but we can always expect from creative directors who always discover a new kind of romantic instance for youngsters to moon about.

Having used up the available expected lot of genre, Indian cinema is also extending shoots towards parallel cinema. Out of league movies are rising in number, and doing good despite targeting a niche-audience. The success-secret is the capitalistic metropolitan approach of distributors. They make a movie for one segment of audience; take the urban thinking ones. Then they release it only in PVRs, multiplexes that charge a ten to twenty percent more than the small-town halls. They earn as much on selling a hundred tickets as they would in a small place selling a thousand. The film is a success – the trend becomes popular. And ‘Bheja Fry’, ‘Slumdog Millioanaire’ and ‘A Wednesday’ are a rage!

Talking of ‘A Wednesday’, the horrifying attacks in Mumbai, and before that the sporadic incidents across the country have sent shock waves through Bollywood. The upper class has been hit this time, so, fight against terrorism has spread across all the sections of society. Only a few days have passed, and the inspiration has hit the scriptwriters and filmmakers hard. In a recent Bollywood news update, twenty titles based on the Mumbai attacks have been submitted for approval. Another burst of trend changers? Welcome to contemporary Bollywood!